The first pieces in this cycle will involve life castings of figures, staged within frames that are designed and constructed specifically for predetermined poses. No two should ever be the same. There should be a gentle intimacy that molding of this weight has never known before. As figures span the inner holds of their yielding frames, a parallel is drawn between them and how the Hellenistic order of columns seem to bulge under the weight of their entablatures. Ultimately, it is my goal to learn how to sculpt and design objects entirely in the computer.